![]() The band toured extensively behind its covers-heavy, jam-oriented debut album, Vanilla Fudge, to expand their fan base. The band settled on Vanilla Fudge they were a white group singing and playing with the soul of the brothers. This resulted in a deal with the Atlantic subsidiary Atco, which requested a name change. Impressed by their heavy-rocking, trippy and psychedelic version of The Supremes’ “You Keep Me Hangin’ On,” Morton offered to record the song as a single. In early 1967, The Pigeons manager, Phil Basile, convinced producer, George “Shadow” Morton (producer for The Shangri-Las and Janis Ian), to catch their live act. In late 1966, drummer, Joey Brennan, moved out to the West Coast the Pigeons immediately drafted drummer and vocalist, Carmine Appice, a disciple of the renowned Joe Morello (Dave Brubeck Band) and a seasoned veteran of the club scene. ![]() Inspired by groups such as The Rascals and The Vagrants (fronted by guitarist, Leslie West of “Mountain” fame), The Pigeons reworked many of their own existing arrangements of covers to reflect their unique interpretation of this “East Coast Sound.” The East Coast, in particular, New York, and New Jersey, created a sound all its own. In early 1966, the group recorded a set of eight demos that were released several years later as “While the World Was Eating Vanilla Fudge.” ![]() They built a following by gigging extensively up and down the East Coast, and earned extra money by providing freelance in-concert backing for hit-record girl groups. Originally, Vanilla Fudge was a blue-eyed soul cover band called The Pigeons, formed in New Jersey in 1965 with organist, Mark Stein, bassist, Tim Bogert and drummer, Joey Brennan, and guitarist, vocalist and US Navy veteran, Vince Martell. Although, at first, the band did not record original material, they were best known for their dramatic heavy, slowed-down arrangements of contemporary pop songs which they developed into works of epic proportion. The comments are property of their posters, all other content © Sea of Tranquility SoT is Hosted by SpeedSoft.Vanilla Fudge was one of the first American groups to infuse psychedelia into a heavy rock sound to create “psychedelic symphonic rock” an eclectic genre which would, among its many offshoots, eventually morph into heavy metal. Please see our Policies Page for Site Usage, Privacy, and Copyright Policies.Īll logos and trademarks in this site are property of their respective owner. If you have questions or comments, please Contact Us. Related Link: Official Vanilla Fudge Web Siteįor information regarding where to send CD promos and advertising, please see our FAQ page. are at least proving that this Vanilla Fudge hasn't lost its flavor yet. But by making some surprising selections and managing to still sound beefy and more than competent in the process, Appice and Co. Those pop songs - like most Vanilla Fudge treatments - are dripping with molten and gooey guitar and organ solos that add soul and depth to the performances.Īre these versions better than the original ones by the original artists - or even than the original Vanilla Fudge versions? Probably not. The album includes recently rerecorded versions of many of classic covers, plus "Da Ya Think I'm Sexy?" (which Appice co-wrote with Rod Stewart), and Vanilla Fudge's take on two catchy boy-band tunes: "I Want It That Way" by The Backstreet Boys and "Tearin' Up My Heart" by N'Sync. Then and Now features Appice reunited with original bassist/vocalist Tim Bogert, original guitarist/vocalist Vince Martell and new keyboardist/vocalist Bill Pascali. All this time, however, Vanilla Fudge was establishing its own sound, bolstered by electrifying live performances that reportedly scared off other bands that refused to tour with the Fudge. Other sludgy renditions of hits by other artists soon followed, including "Eleanor Rigby" by The Beatles, "People Get Ready" by The Impressions, "She's Not There" by The Zombies and "Season of the Witch" by Donovan. Vanilla Fudge, still led most notably by drummer/vocalist Carmine Appice, began building its reputation in 1967 on a thick, churning and slowed-down version of The Supreme's "You Keep Me Hangin' On" (which was in turn covered by Samantha Fox, but that's for a different review - or not). Despite its misleading title and packaging - Then and Now is not a best-of disc featuring the original Vanilla Fudge lineup - this may be one of the best tribute albums you're bound to hear.
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